Now showing items 1-5 of 5

    • Building the Great Northern Railway (Ireland): Design, Communication and Construction 

      Osgood, Siobhan Mary (Trinity College Dublin. School of Histories & Humanities. Discipline of History Of Art, 2024)
      On Wednesday 17 December 1834 the first passenger railway line in Ireland opened. Over the next four decades thousands of miles of railway lines were constructed across the island, creating an expansive network of connectivity. ...
    • The Geological sublime in Victorian landscape painting 

      PRENDERGAST, GEOFFREY (Trinity College Dublin. School of Histories & Humanities. Discipline of History Of Art, 2019)
      Very little has been written about the sublime in Victorian landscape painting and it is more commonly associated with the Romantic period. Nevertheless, an examination of the work of mid-nineteenth-century artists shows ...
    • Into the Void: Text and Image in Nordic Art 1890-1915 

      MORTENSEN, KERSTINA (Trinity College Dublin. School of Histories & Humanities. Discipline of History Of Art, 2019)
      Into the Void: Text and Image in Nordic Art 1890-1915 Kerstina Mortensen Illness, Death, and the Psychological Self; fuelled by European pessimism and the perceived degeneration of society at the turn of the 20th Century, ...
    • The power of display: exhibition cultures and exhibited cultures in Ireland 1973-1991 

      SANCHEZ-MIGALLON CANO, FERNANDO (Trinity College Dublin. School of Histories & Humanities. Discipline of History Of Art, 2020)
      This research project presents a methodological and theoretical framework for conducting research on the knowledge-making capacity of museum displays in Ireland. As active agents in the production of knowledge, museum ...
    • The Topographical Prints of Louis Meunier: A Study of a Representation of Spain in the Seventeenth Century and its Extended Afterlife 

      Ní Lideadha, Sorcha Máire (Trinity College Dublin. School of Histories & Humanities. Discipline of History Of Art, 2024)
      This thesis examines the representation of Spanish and Portuguese cities in an album of topographical views made by Louis Meunier, a printmaker operating in Paris in the second half of the seventeenth century. The set of ...