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dc.contributor.authorBarry, James (Irish painter, printmaker, and lithographer, 1741-1806, active in England)
dc.coverage.spatialBritish Museum
dc.date.accessioned2008-02-02T10:50:18Z
dc.date.available2008-02-02T10:50:18Z
dc.date.createdc. 1792-4
dc.date.issued1983
dc.identifier.citationWilliam L. Pressly, 'James Barry: Artist as Hero', London: The Tate Gallery, 1983, p 107, no 49en
dc.identifier.urihttp://hdl.handle.net/2262/13582
dc.description'Barry stresses Satan's heroic qualities. In the Milton series as a whole an in this drawing in particular, Barry achieves a new level of emotional intensity. These brawny male nudes, seen from a low point of view and dramatically lit from beneath, reveal the influence of Michelangelo's figures in the Sistine Ceiling. In addition, the conception for the figure of Satan is rooted in antique sources, particularly the colossal statues of the Dioscuri or Horse Tamers on the Quirinal Hill in Rome, although Barry introduces Mannerist distortions not present in the classical modes. It was the work of his contemporary Henry Fuseli that opened his eyes to the dramatic potential of this earlier Renaissance and antique art that same moment when William Blake was also profiting greatly by Fuseli's example.' (Pressly, 107)en
dc.format.extent374510 bytes
dc.format.mediumcolored inken
dc.format.mediumink washesen
dc.format.mediumblack chalken
dc.format.mimetypeimage/jpeg
dc.language.isoen
dc.publisherThe Tate Galleryen
dc.subject.lcshArt, Irishen
dc.subject.lcshDrawing, Irishen
dc.subject.lcshDevil in arten
dc.subject.lcshMilton, John, 1608-1674 Characters Devil.en
dc.subject.lcshMilton, John, 1608-1674. Paradise lost. Book 1en
dc.subject.lcshNude in arten
dc.titleStudy for the Etching 'Satan calling his Legions Hurling Defiance Toward the Vault of Heaven'en
dc.typeImageen
dc.contributor.roleartisten
dc.coverage.cultureIrishen
dc.format.extentdimensions68.5 cm x 49.4 cm
dc.subject.period18th century
dc.type.workdrawingen


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