Drama: Recent submissions
Now showing items 21-40 of 53
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The globalisation of Robert Lepage : Québécois cultural politics and contemporary theatre practice
(Trinity College (Dublin, Ireland). Department of Drama, 2005)This thesis is an analysis of four productions by the quebecois theatre artist Robert Lepage, and of their reception. 1 chose these productions because they broadly cover the span of Lepage's career to date (1980s: Vinci ... -
Landscapes, voices and corporealities of excess in the theatre of Marina Carr
(Trinity College (Dublin, Ireland). Department of Drama, 2003)This Ph. D. thesis concerns the plays of contemporary Irish dramatist Marina Carr from 1989-1998. In the first section of this introduction I will contextualise the background, career and plays of Marina Carr within the ... -
Badness. Good, isn't it? A bit of badness : Frank McGuinness's dramaturgy of 'Deviance' and the Irish theatrical tradition
(Trinity College (Dublin, Ireland). Department of Drama, 2004)This thesis is a study of the original plays of the contemporary Irish dramatist Frank McGuinness. McGuinness was bom in Buncrana, County Donegal, Ireland in 1950. His first play, The Factory Girls, was produced in 1984. ... -
The Northern revival and the Ulster literary theatre
(Trinity College (Dublin, Ireland). Department of Drama, 2008) -
The development of Comic Stage Persona (CSP) in stand-up comedy: An interdisciplinary approach to an intersubjective performance phenomenon
(Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2018)Comedians learn how and who to be on stage. Writing and performing stand-up comedy entails complex social and professional challenges. Facing these challenges, stand-up comedians adapt personae. Via a critical analysis of ... -
"Impossible Speech" - Monologue Drama in Ireland from 1964 - 2016: Form and Per(form)ativity
(Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2018)The aim of this thesis is to critique a body of monologue drama by Irish playwrights during the period 1964 to 2016. Building on the recent work of Irish and international scholars on monologue drama and performance, it ... -
From avant-garde to negentropy : an aesthetic deployment of Bernard Stiegler's genealogy of the sensible
(Trinity College (Dublin, Ireland). Department of Drama, 2016)This thesis mobilises Bernard Stiegler’s call for a genealogy of the sensible in order to elucidate a peculiar phenomenon in art, which is the increase in the autonomy and efficacy of technology in the making and production ... -
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance
(Trinity College Dublin. School of Creative Arts. Discipline of Drama, 2017)This thesis is a study of Chinese experimental theatre from the year 1990 to the year 2014, to examine the involvement of Chinese theatre in the process of globalisation – the increasingly intensified relationship between ... -
The drama of Oscar Wilde : contesting Victorian gender dynamics
(Trinity College (Dublin, Ireland). Department of Drama, 2014)This thesis will analyse Oscar Wilde’s dramatic characters and propose that he challenged the typical Victorian gender roles on the stage, and re-imagined more modern modes of masculinity and femininity in his plays. In ... -
Historically revealing : a cultural analysis of four recovered plays by Irish women, 1900-1925
(Trinity College (Dublin, Ireland). Department of Drama, 2012)This thesis concerns the retrieval and analysis of four plays written in two distinct collaborative configurations by early twentieth-century Irish women, Geraldine Cummins (1890-1968), Susanne Day (1876-1964) and Hester ... -
Complexity, post-coloniality, transculturality : the birth of Wole Soyinka's Yoruba tragedy in Nigeria and its intercultural presentation in Britain
(Trinity College (Dublin, Ireland). Department of Drama, 2013)In 1986, Wole Soyinka made history when he became the first African ever to win the Nobel Prize for Literature. Soyinka is a Yoruba man from western Nigeria and he began to write seriously and professionally in 1959 less ... -
Present laughter : humour at the site of impact in theatre performance
(Trinity College (Dublin, Ireland). Department of Drama, 2000)This dissertation examines the implications for the humorous transaction at its immediate site of impact within mimetic theatre performance, as given to the bodied subjects involved. The thesis establishes its theoretical ... -
Robert Serumaga and the golden age of Uganda's theatre : solipsism, activism, innovation (1968-1978)
(Trinity College (Dublin, Ireland). Department of Drama, 2008)The theoretical methodology employed in the research and writing of this thesis is primarily postcolonial. Though comparatively nuanced, poststructuralism is also employed. The emphasis in the latter is on the Foucaldian ... -
The past is myself : constructions of history and memory in the Abbey 2004 Centenary
(Trinity College (Dublin, Ireland). Department of Drama, 2008)The purpose of this thesis is to position the events of the 2004 centenary of the Irish National Theatre Society, known as abbeyonehundred, within the context of Irish institutional and cultural history. Interdisciplinary ... -
The Irish Catholic family in exile : ideological narratives and the uncanny home
(Trinity College (Dublin, Ireland). Department of Drama, 2006)This thesis uses the dramatic model of the Irish Catholic family as a microcosm through which to examine the ways in which cultural and political ideologies have shaped a particular value-determined narrative of Irish ... -
Trangression and the sacred : the body as seen through Hijikata Tatsumi's 'Dance of Darkness' and two of his critical Western influences, Georges Bataille and Antonin Artaud
(Trinity College (Dublin, Ireland). Department of Drama, 2008)This dissertation examines the body in Butoh performance. The transgressive and sacred potential present within Hijikata Tatsumi’s dance is considered within a post-structuralist conceptual framework. The cultural and ... -
Acoustic interculturalism : the performativity of sound and hermeneutic of listening in / to intercultural performance
(Trinity College (Dublin, Ireland). Department of Drama, 2010)Studies of intercultural performance have been very much concerned with the politics of cultural practice, the authority of cultural traditions, the location of culture(s) in the interstices of exchange, and the theorising ... -
Wooden, wounded, defaced : performing the body in Irish theatre 1983-1993
(Trinity College (Dublin, Ireland). Department of Drama, 2002)Wooden. Wounded. Defaced-Performing the Body in Irish Theatre 1983-1993 uses a four-chapter structure to consider the issues of performance and representation in Irish theatre, the specific circumstances within which Irish ... -
Performing other Irelands : 'race', politics and contemporary Irish theatre
(Trinity College (Dublin, Ireland). Department of Drama, 2011)At a time of unprecedented economic upheaval and extraordinarily rapid social transformation, this thesis considers the representation of ‘race’ on the contemporary Irish stage during the Celtic Tiger years. The productions ... -
Performativities of intimacy in the age of biopolitics
(Trinity College (Dublin, Ireland). Department of Drama, 2012)The aim of this thesis is to propose a dialogue between Giorgio Agamben’s philosophy and the field of 'performance studies'. My theory of the performativity of intimacy needs to be read as a conceptual attempt to address ...