dc.contributor.advisor | Ó Cuilleanáin, Cormac | |
dc.contributor.author | Ficara, Maria | |
dc.date.accessioned | 2017-05-15T13:49:09Z | |
dc.date.available | 2017-05-15T13:49:09Z | |
dc.date.issued | 2015 | |
dc.identifier.citation | Maria Ficara, 'Embodied words upon the stage : W.B. Yeats, translation and theatre-making', [thesis], Trinity College (Dublin, Ireland). Italian Department, 2015, pp 368 | |
dc.identifier.other | THESIS 10487 | |
dc.identifier.uri | http://hdl.handle.net/2262/80014 | |
dc.description.abstract | This thesis starts out with an analysis of Yeats's reception in Italy over a century, which shows how his dramatic production was relegated to a position of lesser importance, whereas his reputation as a poet gradually increased over the decades of the twentieth century, with some interest emerging also for his prose works. Cross-analysis of the main publications from 1905 to 2005 reveals how the Italian "rewriting" of Yeats, following Lefevere's definition, is affected by extra-literary reasons, such as those produced by political events in the 1940s, and the charm that Celtic Irish mythology exerted in Italy in the 1990s. | |
dc.format | 1 volume | |
dc.language.iso | en | |
dc.publisher | Trinity College (Dublin, Ireland). Italian Department | |
dc.relation.isversionof | http://stella.catalogue.tcd.ie/iii/encore/record/C__Rb16086410 | |
dc.subject | Languages, Literatures & Cultural Studies, Ph.D. | |
dc.subject | Ph.D. Trinity College Dublin | |
dc.title | Embodied words upon the stage : W.B. Yeats, translation and theatre-making | |
dc.type | thesis | |
dc.type.supercollection | thesis_dissertations | |
dc.type.supercollection | refereed_publications | |
dc.type.qualificationlevel | Doctoral | |
dc.type.qualificationname | Doctor of Philosophy (Ph.D.) | |
dc.rights.ecaccessrights | openAccess | |
dc.format.extentpagination | pp 368 | |
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