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dc.contributor.authorMc Sweeney, Anna
dc.date.accessioned2021-05-18T17:37:40Z
dc.date.available2021-05-18T17:37:40Z
dc.date.issued2018
dc.date.submitted2018en
dc.identifier.citationAnna McSweeney et al, Metadata: how we relate to images, Lethaby Gallery, London, 2018en
dc.identifier.otherN
dc.identifier.urihttp://hdl.handle.net/2262/96364
dc.descriptionPUBLISHEDen
dc.description.abstractOne might justly claim that metadata is ubiquitous, structuring our interactions with the world in manifold ways. As data about other data, metadata describes and classifies information; among its best-known applications are, for example, library catalogues, maps, or, possibly most familiarly today, the information set — location, time, device — that comes with the simple act of taking a picture on a smartphone.This essay too is metadata. It provides an introduction to the exhibition this booklet accompanies. It will thus influence and inform the way visitors encounter the exhibited objects by providing background information on artworks and suggesting potential links that can be established between them.en
dc.language.isoenen
dc.publisherLethaby Gallery, Londonen
dc.relation.ispartofseriesN;
dc.rightsYen
dc.titleMetadata: how we relate to imagesen
dc.title.alternativeAn exhibition organised by the International Research Group “Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology” in collaboration with Central Saint Martins, University of the Arts Londonen
dc.typeExhibitionen
dc.type.supercollectionscholarly_publicationsen
dc.identifier.peoplefinderurlhttp://people.tcd.ie/mcsweean
dc.identifier.rssinternalid230312
dc.rights.ecaccessrightsopenAccess
dc.subject.TCDThemeManuscript, Book and Print Culturesen
dc.subject.TCDTagHistory of Arten
dc.identifier.rssurihttps://iconology.hypotheses.org/2057
dc.status.accessibleNen


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